滕晓铂，博士，副教授。1998-2008年就读于清华大学美术学院，获学士、硕士、博士学位；2008-2010年任清华大学博士后流动站助理研究员；2010年至今为北京印刷学院设计艺术学院理论研究室教师，现从事设计艺术历史与理论研究。近年来发表学术论文七十余篇，编著3本。中国工艺美术学会会员；清华大学博士后校友会艺术分委会副秘书长；中文艺术类核心期刊《装饰》杂志特约撰稿人；中国文联民间文艺家协会《民艺》杂志特邀编辑。

 

Teng Xiaobo, PhD, associate professor of Beijing Institute of Graphic Communication, engaged in the research of applied art history and modern design history. Publications in recent ten years：over 70 papers /articles for professional magazines and 3 books. Membership of China National Arts and Crafts Society; Deputy secretary-general of the Art Sub-committee of the Post-doctoral Alumni Association of Tsinghua University; staff writer of ZHUANGSHI(Decorate) magazine (sponsored by Academy of Arts & Design, Tsinghua University); and guest editor of MINYI (Folk Art) magazine(sponsored by Chinese Folk Literature and Art Association).

 

 

Feminism as A New Way：How Chinese Female Scholars Describe the Art History of China Today

TENG Xiaobo  PhD

 

女性主义作为方法：中国艺术史研究的新发展

滕晓铂   博士

 

The speaker will discuss the development of feminist theory in the field of Chinese art history research from the following three aspects:

First, feminist perspective has very important significance to the Chinese art history research. The absent of women artists in the classic Chinese art history was noticed in recent years by many Chinese scholars. They had tried to use feminist methods to intervene the Chinese art history: not only to add the many past neglected female artists in the currently existing art history, but also to reconstruct the Chinese art history in the perspective of feminism.

Second, Chinese scholars got initial achievements in two fields: 1) The introduction of western feminist theory and domestic extension; 2) Some female scholars tried to develop new fields with their unique topic and unique way of narrative, that reflected feminism was an important method to present a new Chinese art history which close to the full sense of structure.

Third, the research of Chinese art history from the perspective of feminism should not only to study the female artists, but also to pay attention to the female scholars.

 

演讲人将从以下三个方面讨论女性主义理论在中国艺术史研究领域的发展：

一、女性主义视角对于中国艺术史研究具有非常重要的意义。从女性主义的立场看，经典艺术史中记载的人物以男性占绝大多数，但这并不能证明女性在艺术发展中作为创作者是缺席的，而是在经典艺术史的叙事语境中，女性是被遮蔽的创作主体。女性主义研究方法对于中国艺术史的介入，并非仅在目前已有的艺术史叙事结构里添加以往被忽视的很多女性艺术家，而更应以女性主义的视角去重构中国艺术史。

二、国内以女性主义视角展开的艺术史研究已经取得了初步成果，出现了基本研究领域上的区分：1. 经典意义上的女性主义艺术史研究方法，主要体现在对于西方女性主义理论研究的引进和延伸上；2.中国女性学者展开的艺术史研究：尤其是在中国艺术史的专题研究领域，她们独特的选题、独特的视角和独特的叙事方式，已经体现了女性主义的艺术史观并具有重要的学术价值，有助于呈现一种全新的、接近完整意义上的艺术史构架。

三、女性主义研究方法近年来受到了许多中国艺术史学者的关注，其中有男性学者，但更多的是女性学者。本文认为，除了作为艺术创作主体的女性是艺术史研究的关注对象外，作为艺术史书写主体的女性，也将成为女性主义艺术史研究的讨论内容。