93年毕业于泉州师范，现在福建省画院工作，漳州市政协委员。中国美术家协会会员，福建省青年画院副院长，福建省美术家协会理事，福建省美术家协会山水画艺委会副秘书长，福建省美协青年艺委会副主任，漳州市美术家协会副主席，漳州市青年美术家协会主席，中国水墨画院专职画家，福建省画院画师，闽南工笔画院执行院长，诏安书画院画师，作品多次在全国性展览中获奖，并出版有多本个人画册。部分作品被美术馆、万达集团、山东圣亚、英国邮轮设计公司等机构收藏。

 

After graduation from Quanzhou Normal College in 1993, he is now working in Fujian Provincial Painting Academy and serving as a member of Zhangzhou Municipal People’s Political Consultative Conference. He is a member of China Artists Association, Vice president of Fujian Provincial Youth Academy on Painting, council member of Fujian Artists Association (FAA), Vice Secretary General of Landscape Painting Committee of FAA, Vice Director of the Youth Committee of FAA, Vice Chair of Zhangzhou Artists Association, Chair of Zhangzhou Young Artists Association, full-time painter of Chinese Painting Institute, painter of Fujian Provincial Painting Academy, Executive President of Minnan Traditional Realistic Chinese Painting Academy, and Painter of Zhao’an Calligraphy and Painting Academy. His works has been awarded for several times in national exhibitions with several personal albums published. Some of his works has been collected by such organizations as art galleries, Wanda Group, Shandong Shengya and British Cruise Ship Design Company.

 

「表现性线条是笔墨的灵魂」张秋桔

“Expressive lines is the soul of calligraphy and painting”, Zhang Qiuju

     书写的线条是讲究法度规矩的用笔，而表现是指线条在画面中随画家情感的流露所体现的笔墨。在这方面，中国五代时期的石恪与宋代的梁楷最为代表性人物。同时这种笔法是通过书法的书写性来达到的。

The lines in writing focus on norms and rules while expression refers to the use of lines naturally conveyed by the painters’ emotions. Shi Ke during the Five Dynasties and Liang Kai in Song Dynasty are the representatives. Such use of lines is realized through the writing property of calligraphy.

       文人画的发展与传承。更多的提及书法用笔在画面的重要性，以书入画。这些历代文人士大夫们极力倡导书法用笔，如何运用笔法在画面中的表现。

The development and inheritance of paintings of men-of-letter.

The importance of writing in the painting is being more mentioned, and it is called writing in painting. The men of letters in each dynasty advocate the use of calligraphic strokes and focus on the expression of strokes in painting.

      书写性线条看似简单，但运笔之间确有难度，由线点构成字，把字艺术化的过程中把握字的结体，其间运笔过程尤为重要，直接体现书写表现的关键，也就是我们常提起笔法，笔墨。笔法的提按，缓急运笔是书法基本工的核心。

Writing lines seem simple, but it is difficult to combine the strokes so as to form characters through lines and dots. During the artistic process, it is crucial to control the structure of the characters and brushing is of particular importance, which is the key to expression in writing. It is what we usually mentioned about brushwork. Lifting and pressing, fast and slow are the core of the basic skills in calligraphy.

       在中国画的创作中，书法用笔，以书入画的笔墨问题一直困拢着整个画坛，见识不一。所以说只要能使画面统一和谐的笔法，并且随画家情感自然流露的用笔才是好笔墨。

In the Chinese traditional painting, how to combine calligraphic strokes into painting is an issue confusing the painting circle for a long time with people having different ideas. Therefore, it can be called fine work only if the strokes can make the painting harmonious and meanwhile naturally conveyed the emotions of the painters.

 

作品：青山素裏100X200cm，景闊任翱翔100X300cm，丹霞印記45cmX130X3，稽溪玉泉68X136cm

Works:

Green Mountains Covered with Snow, 100X200cm

Hover in the World, 100X300cm

Danxia Imprint, 45cmX130X3

JixiSpring, 68X136cm