Guanliang Bi is member of Chinese Artists Association, artist at the national level, Biliangliang Studio, senior painter of Renowned Chinese Calligraphy and Painting Institute, School of Art, Renmin University of China, supervisor of the Institute of Fine Arts of Tsinghua University, Committee academic committee, senior examiner, China Art Education Research Institute Arts Committee, in 2017 as a distinguished artist emigrated to the United States. Many times to participate in international agencies, the Chinese Artists Association to host the exhibition and award-winning, works by a number of professional collection agencies and the Great Hall of the People's Republic of China and other state agencies, published a number of personal albums, and published many theoretical articles. In traditional Chinese painting, he emphasizes the combination of traditional foundation and contemporary aesthetics. He opposes the rigid and self-inflexible succession of inheritance, emphasizes inheritance and reference, initiates and learners inside and outside the painting. At the same time as researching and creating Chinese paintings, he also insisted on the creation of other art forms such as painting and was well received. In 2012, he was named as one of the most famous painters of potential appreciation in contemporary China.
This is a manifestation of cosmology. The single baby "I" below the creative vision represents "life on earth," and the nine life symbols above hand symbolize life outside Earth. The relationship between the baby images above and below is not only the "I" view of the other, but also the thinking of the life outside the "me" beyond the universe. Among them, the artists' emotions embodied are also very complex, lonely, envious, confused, and hopeful. In the painting lie between the two is not only the Valley of the valley, there is the middle of the fish symbolizing the fossil image of time, fish fossil signs of awe of time, the sigh of the passing of life, history of life origin, In anthropology and western philosophical culture, fish is also a symbol of the fecundity of fertility and life desires. It reflects the meaning of the extinct and endless existence of life. In the traditional Chinese culture, fish is also an important phenomenon, In the eyes of fish symbolizes auspicious and good expectations for the future.
This work contains the artist's individual emotional experience, is the artist's impermanence of life, but also to miss his loved ones miss. The creator has lost his mother since childhood, and his mother is always a vague concept in his memory. Although there is no specific image, his mother never stops dreaming about him. The introduction of the baby image, on the one hand, can maximize the implantation of the realist feelings of the artist, that the blood relationship between "I" and the mother can be seen through the shadow of the lost baby and the mother walking away from the baby, The mother went away and the baby did not know it completely, people looked after shed tears. In addition, the baby symbol itself also carried the author's subconsciousness with good dedication, pure and magnanimous, aspirational and other spiritual qualities.