Guanliang Bi毕冠良
1964年6月出生，北京人，中国美术家协会会员、国家一级美术师，中国人民大学艺术学院中国书画高级创作研修班毕冠良工作室导师，清华大学美术学院高研班导师，文化部艺术考级委员会学术委员、高级考官，中国艺术教育研究院艺委会委员，2017年以杰出艺术家身份移居美国。多次参加国际机构、中国美协主办展览并获奖，作品被多家专业收藏机构和人民大会堂等国家机关收藏，出版有多部个人专辑，并有多篇理论文章发表。在中国画创作上强调传统功底与时代气息的结合，反对固步自封式的僵化继承，强调继承与借鉴并举，画内与画外同修。在中国画的研究创作同时，还坚持油画等其他艺术形式的创作，受到普遍好评。2012年被评为当代中国最具升值潜力百位国画家。
Guanliang Bi is member of Chinese Artists Association, artist at the national level, Biliangliang Studio, senior painter of Renowned Chinese Calligraphy and Painting Institute, School of Art, Renmin University of China, supervisor of the Institute of Fine Arts of Tsinghua University, Committee academic committee, senior examiner, China Art Education Research Institute Arts Committee, in 2017 as a distinguished artist emigrated to the United States. Many times to participate in international agencies, the Chinese Artists Association to host the exhibition and award-winning, works by a number of professional collection agencies and the Great Hall of the People's Republic of China and other state agencies, published a number of personal albums, and published many theoretical articles. In traditional Chinese painting, he emphasizes the combination of traditional foundation and contemporary aesthetics. He opposes the rigid and self-inflexible succession of inheritance, emphasizes inheritance and reference, initiates and learners inside and outside the painting. At the same time as researching and creating Chinese paintings, he also insisted on the creation of other art forms such as painting and was well received. In 2012, he was named as one of the most famous painters of potential appreciation in contemporary China.
作品No.1(纸本水墨144x184cm)
作品No.2 (纸本水墨144x184cm)
作品描述
No.1
此幅是一种宇宙观的表现。创作前景下方的单个婴孩“我”代表着“地球生命”，上方手拉手的9个生命符号则象征着地球以外的生命。上下婴孩形象的关系既是“我”对他者的观望，也是对“我”以外宇宙间生命的思考。其中体现的艺术家情感也非常复杂，孤独、羡慕、困惑、期盼间或有之。在画中横亘在两者之间的不仅是山水谷地，还有中间象征着时间久远的鱼化石形象，鱼化石征兆着对时间的敬畏，对逝去的生命的叹息，对生命起源历史的怀想，在人类学和西方哲学文化中，鱼又是生殖力和生命欲望强盛的象征，其反映的是生命个体消逝而又生生不息的意义；在中国的传统文化中鱼也是一个重要物象，在百姓心目中，鱼象征着吉利和对未来的良好期待。
This is a manifestation of cosmology. The single baby "I" below the creative vision represents "life on earth," and the nine life symbols above hand symbolize life outside Earth. The relationship between the baby images above and below is not only the "I" view of the other, but also the thinking of the life outside the "me" beyond the universe. Among them, the artists' emotions embodied are also very complex, lonely, envious, confused, and hopeful. In the painting lie between the two is not only the Valley of the valley, there is the middle of the fish symbolizing the fossil image of time, fish fossil signs of awe of time, the sigh of the passing of life, history of life origin, In anthropology and western philosophical culture, fish is also a symbol of the fecundity of fertility and life desires. It reflects the meaning of the extinct and endless existence of life. In the traditional Chinese culture, fish is also an important phenomenon, In the eyes of fish symbolizes auspicious and good expectations for the future.
No.2
此幅作品蕴藏着艺术家个体的情感经历，是艺术家对生命无常的思考，也是对逝去亲人的怀念。创作者自幼失去了母亲，母亲在他的记忆中始终是一个模糊的概念，虽然没有具体的影像，但是却又无时无刻不让他魂牵梦绕。婴孩形象的引入，一方面可以最大程度地植入艺术家的现实情怀，即“我”和母亲的这段血情亲缘，可以通过失落的婴孩和与婴孩渐行渐远的母亲背影形象呈现出来，母亲走了而婴孩却浑然不知，让人看后潸然泪下；另外婴孩符号本身也承载了作者潜意识中所具的有善良执着、纯洁坦荡、无为无欲等精神品质。
This work contains the artist's individual emotional experience, is the artist's impermanence of life, but also to miss his loved ones miss. The creator has lost his mother since childhood, and his mother is always a vague concept in his memory. Although there is no specific image, his mother never stops dreaming about him. The introduction of the baby image, on the one hand, can maximize the implantation of the realist feelings of the artist, that the blood relationship between "I" and the mother can be seen through the shadow of the lost baby and the mother walking away from the baby, The mother went away and the baby did not know it completely, people looked after shed tears. In addition, the baby symbol itself also carried the author's subconsciousness with good dedication, pure and magnanimous, aspirational and other spiritual qualities.